There is no mistaking the experience. When you find yourself looking at the the cliffs of Blomidon, you in a place of significance. You can almost feel the pull from the world’s highest tides that wash these shores twice a day. This is a place of Mi’kmaq legends and an international geological landmark.
Charles Lyell was impressed with the views of Blomidon. He sketched then illustrated Cape Blomidon in his Travels of North America and Nova Scotia published in 1845.

Charles Lyell was in Nova Scotia in the summer of 1842. When he visited the shores near Blomidon, he saw bird tracks in the Fundy mud and furrows in the sandstone.
Lyell’s notebooks from his visit to Nova Scotia are now available from the University of Edinburgh Archives. Notebook 103 includes his quick sketch that would become Fig. 16, shows and overall structures, including amygdaloid ‘trap’ (basalt) among the ‘drift’.

Charles Lyell encouraged and collaborated with William Dawson, Nova Scotia’s famous geologist. The two met in Pictou during Lyell’s first visit in August 1842. In 1855, Dawson highlighted a scene of Blomidon in the first edition of his Acadian Geology, with a higher detail that depicts the majesty of the place and two geologists talking about rocks on the shoreline.

Blomidon Blow Me Down
Cape Blomidon was famous among those who visited Nova Scotia during the Age of Sail. Blomidon is a dominant feature in the Bay of Fundy landscape that connected the busy ports of Windsor, Hantsport, and Parrsboro to Boston. Several of the older maps identify the cape as “Blow Me Down”, respected by sailors traveling among the powerful tides during storms that roll in from the ocean.

Perhaps it was images like these that inspired the mind of Longfellow. Although he never visited Nova Scotia himself, Blomidon became internationally iconic landscape when “away to the northward Blomidon rose..” was the backdrop to Longfellow’s Evangeline published in 1847.
“away to the northward Blomidon rose..”
A Geologic Icon
With the development of photography, Blomidon’s fame as a geological landmark continued to grow. The far reaching horizon of the Minas Basin is a unique challenge for early photographers who captured scenic landmarks and sold framed tourism gifts and souvenir publications promoting railway transportation. Geology textbooks in New England used these photographs, when Blomidon literally became a textbook example of a wave cut platform.

Postcards from Evangeline
Amos Larson Hardy was the photographer who produced the image used in these geology textbooks. In 1906, the photograph was published in the tourism book “Evangeline Land” (Nova Scotia Archives).

This same photograph (low tide with sailboat) was one of several similar scenic views that were popular postcards until the late 1940s.

Lyons Cove
Another popular vantage point to photograph Blomidon was from the top of the cliff at Lyons Cove. For his 1902 geology paper on the “Physiography of Acadia“, Reginald Daly used another photograph by Hardy that features a bicycle on the beach.

Another Amos Hardy photograph from the same location with a horse and carriage on the beach was published in “Beautiful… Nova Scotia” tourism booklet published by the Yarmouth Steamship company in 1891 through 1901.

Postcards with these photographs were published through the 1940s.

Today, a recent photograph from Lyons Cove taken on a crisp spring morning shows active erosion continues along the shoreline. It’s still a place of wonder and beauty – a geological site washed twice a day by the world’s highest tides.

Leave a Reply